Posts Tagged ‘traditional portraiture’

Last of the Old Masters

September 9, 2014

Robert Henri - Dorita - WikiArt

Robert Henri – Dorita – WikiArt


“Know what the old masters did. Know how they composed their pictures, but do not fall into the conventions they established. These conventions were right for them, and they are wonderful. They made their language. You make yours. They can help you. All the past can help you.”
– Robert Henri.

This morning I went once more to see the Robert Henri “Spanish Sojourns” exhibit at the San Diego Museum of Art. This was the fourth time I’ve gone to see this particular exhibit. The other three times it was paired with the fantastic “Sorolla in America” exhibit; this time I went for the Henri alone.

I almost didn’t go. I’m pressed for time these days, and I only had about an hour to see the paintings before beginning the drive up to work. And I felt I had already seen what I needed to on my previous trips. But I had been planning to go once more by myself, and I figured this kind of Henri show would probably never happen again.

This is the last day of the show in San Diego. If you happen to catch this post within the next few minutes – and unfortunately, I mean the very next few – get yourself over there. Drop everything and just do it. You won’t regret it, I promise.

I saw in the news that the exhibit will be stopping in Jackson, Mississippi next. Same message for folks in that part of the country – if you are at all a fan of portraiture, this is not a show to be missed.

This last visit was amazing, but a bit sad, too – looking at paintings I knew I would probably never see again. I had a particularly difficult time saying goodbye to Dorita, the painting at the top of this post. She has long been a favorite of mine, and I’d been overjoyed to discover that she was a part of this exhibit. I do hope I get to see her again someday.

Every time I look at Henri’s paintings up close, I am further blown away by them. I’ve long been a fan of Henri’s, and I’ve long had the suspicion that he was grossly underrated. My suspicion was given some legs when I read Richard Schmid’s good opinion of him in his book Alla Prima. This last visit… I couldn’t believe what I was seeing, and what so many others seem to be missing, if Henri’s limited fame is any measure. Henri’s paintings are so like the paintings of the Baroque, with his dark palette and glowing light… The brushstrokes are those of a modernist, but the compositions are those of an old master. I am beyond suspicion now, and I can make the following three statements about the artist:

One: Robert Henri is one of the truly great portrait artists of the last century.

Two: Robert Henri is as of now, bar none, my favorite portrait artist.

Three: I am ready to give Henri a certain title. This title has been given to different artists before; it was first given to David, I believe, and has since been given to different artists from Goya to Renoir. I personally will stake my own claim and give this title to Robert Henri,

Last of the Old Masters.

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